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	<title>pilmore, lee &#187; Film / Motion</title>
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	<link>http://www.pilmore.co.uk</link>
	<description>two thousand and eight</description>
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		<title>A little summer sundae</title>
		<link>http://www.pilmore.co.uk/2008/08/09/a-little-summer-sundae/</link>
		<comments>http://www.pilmore.co.uk/2008/08/09/a-little-summer-sundae/#comments</comments>
		<pubDate>Sat, 09 Aug 2008 10:48:16 +0000</pubDate>
		<dc:creator>Lee Pilmore</dc:creator>
				<category><![CDATA[Film / Motion]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Noted life]]></category>

		<guid isPermaLink="false">http://www.pilmore.co.uk/?p=169</guid>
		<description><![CDATA[Well I have at last got myself a camcorder, a Sony HDR SR10E. Very nice it is to.  My first attempt at shooting some stuff happened at Summer Sundae where I got lots of bad footage. Supergrass (who where just pretty average) headlined last night. Check caught by the fuzz!

]]></description>
			<content:encoded><![CDATA[<p>Well I have at last got myself a camcorder, a Sony HDR SR10E. Very nice it is to.  My first attempt at shooting some stuff happened at Summer Sundae where I got lots of bad footage. Supergrass (who where just pretty average) headlined last night. Check caught by the fuzz!</p>
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		<title>Three Hundred</title>
		<link>http://www.pilmore.co.uk/2006/10/10/300-goodfckinglooking/</link>
		<comments>http://www.pilmore.co.uk/2006/10/10/300-goodfckinglooking/#comments</comments>
		<pubDate>Tue, 10 Oct 2006 16:57:49 +0000</pubDate>
		<dc:creator>Lee Pilmore</dc:creator>
				<category><![CDATA[Film / Motion]]></category>

		<guid isPermaLink="false">http://www.pilmore.co.uk/2006/10/10/300-goodfckinglooking/</guid>
		<description><![CDATA[
You pray the story holds together looking at the visual magnificence. So many times we watch visual treats to be left unmoved by characters and the stories. So I hope this isn&#8217;t the case with 300. The style of the photography is spellbinding. It looks raw and romantic in equal measures.  Check out the [...]]]></description>
			<content:encoded><![CDATA[<p><img width="535" height="170" src="http://www.pilmore.co.uk/img/blog/06/300.jpg" /><br />
You pray the story holds together looking at the visual magnificence. So many times we watch visual treats to be left unmoved by characters and the stories. So I hope this isn&#8217;t the case with 300. The style of the photography is spellbinding. It looks raw and romantic in equal measures.  <a title="Check out the trailer for 300" href="http://www.apple.com/trailers/wb/300/hd/">Check out the trailer</a>, high definition.</p>
<blockquote><p>Based on the epic graphic novel by Frank Miller, <em>300</em> is a ferocious retelling of the ancient Battle of Thermopylae in which King Leonidas and 300 Spartans fought to the death against            Xerxes and his massive Persian army.</p>
<p>Facing insurmountable odds, their valor and sacrifice inspire all of Greece to unite against their Persian enemy, drawing a line in the sand for democracy.</p>
<p>The film brings Miller’s<em>(Sin City)</em> acclaimed graphic novel to life by combining live action with virtual backgrounds that capture his distinct vision of this ancient historic tale.</p></blockquote>
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		<title>l&#8217;image parfaite</title>
		<link>http://www.pilmore.co.uk/2006/08/14/limage-parfaite/</link>
		<comments>http://www.pilmore.co.uk/2006/08/14/limage-parfaite/#comments</comments>
		<pubDate>Mon, 14 Aug 2006 08:30:42 +0000</pubDate>
		<dc:creator>Lee Pilmore</dc:creator>
				<category><![CDATA[Film / Motion]]></category>
		<category><![CDATA[Web design]]></category>

		<guid isPermaLink="false">http://www.pilmore.co.uk/2006/08/14/limage-parfaite/</guid>
		<description><![CDATA[ 

l&#8217;image parfaite
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<p><a href="http://www.dailymotion.com/video/xa3ud_limage-parfaite">l&#8217;image parfaite</a></p>
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		<title>Renaissance</title>
		<link>http://www.pilmore.co.uk/2006/08/08/renaissance/</link>
		<comments>http://www.pilmore.co.uk/2006/08/08/renaissance/#comments</comments>
		<pubDate>Tue, 08 Aug 2006 15:42:23 +0000</pubDate>
		<dc:creator>Lee Pilmore</dc:creator>
				<category><![CDATA[Film / Motion]]></category>

		<guid isPermaLink="false">http://www.pilmore.co.uk/2006/08/08/renaissance/</guid>
		<description><![CDATA[ In 2054, Paris is a labyrinth where all movement is monitored and recorded. Casting a shadow over everything is the city’s largest company, Avalon, which insinuates itself into every aspect of contemporary life to sell its primary export &#8211; youth and beauty.
In this world of stark contrasts and rigid laws the populace is kept [...]]]></description>
			<content:encoded><![CDATA[<p><img alt="Renaissance, movie clips" src="http://www.pilmore.co.uk/img/blog/renaissance.jpg" /><br class="clear" /> In 2054, Paris is a labyrinth where all movement is monitored and recorded. Casting a shadow over everything is the city’s largest company, Avalon, which insinuates itself into every aspect of contemporary life to sell its primary export &#8211; youth and beauty.</p>
<p>In this world of stark contrasts and rigid laws the populace is kept in line and accounted for.</p>
<blockquote><p>&#8216;Take &#8216;Metropolis&#8217; &#8216;Blade Runner&#8217; and &#8216;Sin City&#8217; &#8230;and you&#8217;ll have a semblance of &#8216;Renaissance&#8217;. &#8211; Lisa Nesselson,Variety</p></blockquote>
<p>This movie looks quite amazing. <a title="Watch the trailer" href="http://www.apple.com/trailers/miramax/renaissance">Watch the trailer</a>, courtesy of Apple. <a href="http://www.renaissancethemovie.co.uk">Official site</a>.</p>
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		<title>An Introduction to Final Cut Pro 5.0</title>
		<link>http://www.pilmore.co.uk/2006/08/06/an-introduction-to-final-cut-pro-50/</link>
		<comments>http://www.pilmore.co.uk/2006/08/06/an-introduction-to-final-cut-pro-50/#comments</comments>
		<pubDate>Sun, 06 Aug 2006 11:23:43 +0000</pubDate>
		<dc:creator>Lee Pilmore</dc:creator>
				<category><![CDATA[Film / Motion]]></category>
		<category><![CDATA[Noted life]]></category>

		<guid isPermaLink="false">http://www.pilmore.co.uk/2006/08/06/an-introduction-to-final-cut-pro-50/</guid>
		<description><![CDATA[I have just completed a very interesting three day hands-on course on editing professional video.  Although the course was a beginners guide to Final Cut, it managed to touch base with everything it has to offer.
The course was taken by Chris Roberts who with real enthusiasm gave me a fresh look into an area [...]]]></description>
			<content:encoded><![CDATA[<p>I have just completed a very interesting three day hands-on course on editing professional video.  Although the course was a beginners guide to Final Cut, it managed to touch base with everything it has to offer.</p>
<p>The course was taken by <a href="http://www.chrisroberts.info" title="The online home of Chris Roberts">Chris Roberts</a> who with real enthusiasm gave me a fresh look into an area I studied many moons ago whilst the process was still analogue! It awaked interest.</p>
<h2>Day One</h2>
<ul>
<li>Working with the interface.</li>
<li>Marking and Editing</li>
<li>Drag and drop editing.</li>
<li>Marking in the timeline, adding cutaways (B-roll material).</li>
<li>Trimming edit points with dragging, rippling edits and the razor blade.</li>
<li>Adjusting edit points using Rolling and Slipping.</li>
</ul>
<h2>Day Two</h2>
<ul>
<li>Editing with Subclips, using markers, Replace edits, storyboard editing and keeping things in sync</li>
<li>Browser basics and customisation</li>
<li>Capturing footage</li>
<li>Applying transitions</li>
<li>Mixing Audio tracks</li>
</ul>
<h2>Day Three</h2>
<ul>
<li>Changing motion parameters, inc. clip speed, freeze-framing and variable speed changes</li>
<li>Applying filters, inc. video, corrective, audio filters and keyframes</li>
<li>Multicam Editing.</li>
<li>Adding text and graphics (this was really only touched on with time running out)</li>
<li>Finishing and outputting (also only touched on with time running out)</li>
</ul>
<p>The three days I enjoyed. No really. It was peeking through the letter box into a palace I&#8217;m sure, with the scope of FCP&#8217;s  potential but well worth it.</p>
<p><a href="http://en.wikipedia.org/wiki/Walter_Murch" title="Walter Murch on Wikipedia">Walter Murch</a> edited &#8216;<a href="http://en.wikipedia.org/wiki/Cold_Mountain_%28film%29">Cold Mountain</a>&#8216; using Final Cut Pro 3.0 and a bunch of Power Macs, so I&#8217;m off to watch it.</p>
<p>(<em>After note:</em> Ten minutes in, I&#8217;d <em>forgot</em> that Walter Murch edited &#8216;Cold Mountain&#8217; using Final Cut Pro 3.0 and a bunch of Power Macs)</p>
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		<item>
		<title>Hoogerbrugge helps you when your sick</title>
		<link>http://www.pilmore.co.uk/2006/07/08/hoogerbrugge-helps-you-when-your-sick/</link>
		<comments>http://www.pilmore.co.uk/2006/07/08/hoogerbrugge-helps-you-when-your-sick/#comments</comments>
		<pubDate>Sat, 08 Jul 2006 21:29:06 +0000</pubDate>
		<dc:creator>Lee Pilmore</dc:creator>
				<category><![CDATA[Film / Motion]]></category>

		<guid isPermaLink="false">http://www.pilmore.co.uk/2006/07/08/hoogerbrugge-helps-you-when-your-sick/</guid>
		<description><![CDATA[On examining the new incarnation of the design museums website, I stumbled into Hoogerbrugge. A neurotic magician, a flash artist who&#8217;s Nails animations are funny and interactively odd. Never heard of the man until now but he&#8217;s a director in the wings (one hopes).
I got lost in the design museum though. Accidental discovery is great, [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.pilmore.co.uk/img/blog/hooger.png" alt="Head of Hoogerbrugge" />On examining the new incarnation of the <a href="http://www.designmuseum.org">design museum</a>s website, I stumbled into <a href="http://www.hoogerbrugge.com/">Hoogerbrugge</a>. A neurotic magician, a flash artist who&#8217;s <a href="http://nails.hoogerbrugge.com/">Nails animations</a> are funny and interactively odd. Never heard of the man until now but he&#8217;s a director in the wings (one hopes).</p>
<p>I got lost in the design museum though. Accidental discovery is great, is best, but if it&#8217;s navigationally intentional with the new website then once again I&#8217;m lost.</p>
]]></content:encoded>
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		<item>
		<title>elephants dream</title>
		<link>http://www.pilmore.co.uk/2006/06/20/elephants-dream/</link>
		<comments>http://www.pilmore.co.uk/2006/06/20/elephants-dream/#comments</comments>
		<pubDate>Tue, 20 Jun 2006 15:49:12 +0000</pubDate>
		<dc:creator>Lee Pilmore</dc:creator>
				<category><![CDATA[Film / Motion]]></category>

		<guid isPermaLink="false">http://www.pilmore.co.uk/site/?p=11</guid>
		<description><![CDATA[Elephants Dream is the world&#8217;s first open movie, made entirely with open source graphics software such as Blender, and with all production files freely available to use however you please, under a Creative Commons license.
The short film was created by the Orange Open Movie Project studio in Amsterdam during 2005/2006, bringing together a diverse team [...]]]></description>
			<content:encoded><![CDATA[<p><img alt="Scene from the movie, one shocked looking hero in close-up" src="http://www.pilmore.co.uk/img/blog/elephant_dreams.jpg" /><br class="clear" /><a title="Elephants Dream, the world's first open source movie, external link" href="http://www.elephantsdream.org/"><strong>Elephants Dream</strong></a> is the world&#8217;s first open movie, made entirely with open source graphics software such as <a title="Blender is the open source software for 3D modeling, external link" href="http://www.blender.org/">Blender,</a> and with all production files freely available to use however you please, under a <a title="Creative Commons, cool external link" href="http://www.creativecommons.org/">Creative Commons</a> license.</p>
<p>The short film was created by the Orange Open Movie Project studio in Amsterdam during 2005/2006, bringing together a diverse team of artists and developers from all over the world. <a title="More on elephants dream, external link" href="http://orange.blender.org/background">More about the project</a>&#8230;</p>
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